A piano piece by Damase, published in 1992. Approximately 8 minutes in duration. Composed as a commission for the Long-Thibaud International Competition, it became one of the compulsory pieces for the final round of the 24th competition held in the same year (Note). The title "Introduction and Allegro" recallsRavel's chamber work of the same name, a significant piece for the harp, which was premiered by Damase's mother, Micheline Kahn (1889–1987). The ascending and descending figures in the right hand that appear at the beginning of Damase's Introduction and Allegro inevitably evoke a harp glissando. The piece consists of three parts. After the introduction, which has a somewhat melancholic expression, a rugged figure appears, leading into the Allegro. This figure is reminiscent of the opening of the first movement of Damase's first piano work,Piano Sonata (1953), and here too, it functions as the first theme in the Allegro. After the tempo slows and a bright, expressive second theme appears in the high register, a development section based on elements of both themes ensues. The initial block-like figure is contrasted with a smooth melody; after the latter is sung majestically, the opening introduction returns. However, the first theme of the Allegro soon reappears, and the second theme is presented while maintaining its driving force, leading to a lively conclusion. (Note) In the same year's competition, Midori Nohara won first prize and Shin Aoyagi won sixth prize.