In C major, it is a one-part form.

A [a (measures 1-4) + b (measures 5-8)]

The first four measures are structured as a sequence, with a two-measure unit repeated at a different pitch. The motif is a figure that leaps a fifth from three quarter notes on the same pitch. Conversely, the beginning of the latter half, measure 5, creates a contrast by descending a third. In measure 7, a sense of unity is created through the partial utilization of the main motif by employing two quarter notes on the same pitch.