Publication

Paris, Simon Richault, 1859

No. 2, "My Beloved Fetters," A minor, Un peu lent (Somewhat slow)

General Characteristics

This piece forms a pair with No. 1, "My Beloved Liberty" (F-sharp major), both included in the two-movement Op. 60. In contrast to the vibrant and refreshing No. 1, the theme of "Fetters" is characterized by a limited melodic range and repetitive rhythms. From this restricted theme, Alkan skillfully extracts and develops melodic material and rhythmic motifs (motifs a and b).

Formal Structure

Following the simple opening theme (Theme A), the F major middle section (m. 33) is based on motif a. In the E minor "Cantabile" section (m. 53), a new theme (Theme B) appears, leading to a dialogue between both hands based on motif b (mm. 65-80). In the three measures immediately preceding the theme recapitulation (mm. 77-80), motif b forms a sequence of three-beat patterns in both hands, weaving a dense texture.

Themes A and B are combined and appear simultaneously in the recapitulation (m. 81). The right hand plays Theme A, while the left hand persistently repeats rhythmic fragments of Theme B. From measures 89 to 95, motif b alternates in the left hand on each beat, increasing density and tension towards the coda.

Coda

In the A major coda (m. 96), which begins with the indication "con amore" (with love), Theme B and Theme A appear in this order and are summarized within a symphonic sound. This section is a difficult passage requiring wide stretches in both hands; however, a simplified version has been inserted by the editor, which can be chosen according to the performer's skill level.

Concluding Remarks

By largely avoiding new material and consolidating the entire piece with previously introduced motifs, the development achieves a high degree of coherence. In this sense, this ascetic impulse is a creative advantage, and perhaps this is why "fetters" are "beloved."