The original piece was composed for piano and orchestra. It is a humorous and highly virtuosic work, as if cheerful laughter could be heard. One wonders how many composers have been captivated byMozart's "Turkish March" and presented works based on this theme. Energetic sounds, imbued with the vitality of living organisms, unfold like a kaleidoscope, and within a mere four minutes, Rosenblatt's abundant talent is vividly manifested. It is said that in this Rondo, a competitive interplay occurs between the two pianos. It is indeed a demanding piece. Dissonances further accentuate this, and, characteristic of his style, the exquisite balance with its jazz-infused character is remarkable. During his visit to Japan, it was amusing to hear Rosenblatt remark with a genuinely troubled expression to the author, "This piece is truly technically challenging, isn't it..." It was completed in July 2004. The work was world-premiered in March 2005 by a duo of Rosenblatt and the author, and dedicated to pianist Miori Okamoto.