8. The Cute Hedgehog

The most important aspect of this piece is, without a doubt, "expressing joy." This is crucial for this piece because concerns about balance are largely unnecessary; both the left and right hands can play at the same volume. Imagine multiple mice and treat both hands similarly. Furthermore, since there isn't a single legato note, the next important thing is how to play the staccato notes short and light.

Regarding dynamics, the author's score indicates three types of markings: mezzo forte, piano, and forte.

The structure can be considered as three sections of four measures each.

First Section: It begins with mezzo forte. The third and fourth measures might be slightly calmer than the first two. Try subtly changing the expression between measures 1-2 and 3-4.

Second Section: This section depicts a busy scene. Play measures 5-8 without stopping, but also without rushing. The dynamics can remain mezzo forte. No particular shaping is required.

Third Section: It begins with piano and ends with forte plus an accent, becoming quite strong. Gradually crescendo from piano to express a sense of distance, ending with forte. No ritardando should be applied.

Simply put, it is fine to play this piece somewhat percussively. The tempo should be played precisely, like a metronome, and the short staccato notes should be played joyfully. It is important to express joy and to have a wide dynamic range.