Yamada, Kōsaku : SEIFUKU 1
Work Overview
Instrumentation:Piano Solo
Genre:Various works
Copyright:Public Domain
Commentary (2)
Author : Maruyama, Yoko
Last Updated: March 28, 2018
[Open]
Author : Maruyama, Yoko
Composed in July 1917, consecutively with "Seifuku 2." It is dedicated to Etsuko Terasaki. The European title does not contain the word "Seifuku," being simply "Petit poème." Although no clear documentation regarding the origin of the Japanese title "Seifuku" has been found, it appears to be related to the birth of his eldest daughter in April of the same year. Although Yamada had experienced troubles related to women and marriage before marrying his wife Kikuo in November 1916, Misa, born just before the composition of this work, was his first biological child. Imagining his great joy as a father, it suggests that the Japanese title is linked to her birth. If the word "Seifuku" is interpreted literally, it can mean "holy," "happiness," or "blessing." Therefore, it can be inferred that this title expresses the father's joy at being blessed with his first child and his perception of the birth of life as "sacred."
The work was promptly premiered in October of the same year, performed by the composer himself. Furthermore, Yamada's series of "Petit Poèmes" are described as "short pieces that learned from Scriabin's style and often have private titles" (Nobuko Goto, "Yamada Kōsaku," edited by Kunihiko Shimonaka, Ongaku Daijiten Vol. 5, Tokyo: Heibonsha, 1983, p. 2619). The style of "Seifuku 1" is likely no exception.
Author : Maruyama, Yoko
Last Updated: April 18, 2018
[Open]
Author : Maruyama, Yoko
Petit-poème1 and 2 were composed successively in July, 1917 and dedicated to Etsuko Terasaki. There is no Japanese title “聖福 (Seifuku)” in the French title, which reads simply ‘petit poème’. The reason why Yamada chose the title “聖福” remains unclear. However, it seems to relate with the birth of his first daughter in April of the year of the composition. Before marrying with his wife Kikuo in November 1916, Yamada caused trouble regarding a love-affair and marriage, but without a child. His daughter Misa, born just before the composition of these pieces, is the first child for him. Their Japanese title can possibly reflect his great delight of having a child as a father. Literally “Seifuku” means “holy happiness/celebration”, this meaning of the title indicates that the father regarded his delight of having the first child, the birth itself as ‘holy’.
The piece was first performed by the composer himself in October of the same year. A series of his petit poèmes are pieces written in a Scrjabin-like style and sometimes with the title of private connotation (Yoko Goto, “Yamada Kósçak”, ed. by Kunihiko Shimonaka, Ongaku-Daijiten (Grand Music Dictionary), vol. 5, Tokyo: Heibonsya, 1983, p. 2619). It is true to the style of Seifuku1 as well.