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Home > Miyoshi, Akira > Cahier sonore

Miyoshi, Akira : Cahier sonore

Work Overview

Music ID : 4547
Composition Year:1985 
Instrumentation:Piano Ensemble 
Genre:Various works
Total Playing Time:9 min 00 sec
Copyright:Under Copyright Protection

Commentary (2)

Author : Sudoh, Eiko

Last Updated: April 25, 2018
[Open]
Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

《Notebook of Sounds》 is a five-movement piano duet suite. It was composed in 1985 at the commission of Toshiba EMI for their educational record series. It embodies the joy of piano duets that Miyoshi experienced in his childhood through the works of Mozart and Schubert. He described this as the wonder and emotion of a single piano beginning to breathe sound as a living entity, through the hands of oneself and others.

Prelude (approx. 2 min)

A somewhat nostalgic theme, played by the Primo's right hand, develops supported by the other three hands. It is in ternary form.

Passepied (approx. 1.5 min)

Within a light 2/4 meter, a lively "Staccato Accentuare" theme is repeated. The contrast with the legato section in the middle is striking.

Romance (approx. 2.5 min)

A beautiful theme is sung with sustained breadth, carried by the swaying rhythm of 6/8 meter. It is in ternary form, with a dreamlike middle section.

Courante (approx. 1 min)

The piece unfolds with a somewhat humorous character within the flow of 12/8 meter. It is in ternary form with a coda.

Finale (approx. 2 min)

Beginning with the Primo's rapid triplets and the Secondo's sharp chromatic scales, it is in ternary form. The breathtaking interplay between the two performers conveys the true essence of piano duets.

Writer: Sudoh, Eiko

Author : Sudoh, Eiko

Last Updated: April 25, 2018
[Open]
Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

“Handbook of Notes” is a suite for four hands composed of five songs. In 1985, this suite was composed for Toshiba EMI as teaching material for schools. Miyoshi enjoyed the works of Mozart and Schubert when he was a child and he expresses this pleasure in his duet. To him, the pleasure was the wonder and excitement that one piano started breathing as if it was alive by his hands and other hands.

Prelude (about 2’)

The nostalgic theme by Primo’s right hand is expanded in ternary form, supported by three other hands.

Passepied (about 1’30”)

The lively theme, indicated Staccato Accentuare, is repeated in the light two-meter. The distinction is brilliant, between the lively section and the contrasting section indicating Legato.

Romance (about 2’30”)

The beautiful theme is played in long breath, taking a rhythm of six-eighth. The dreamy middle section is interposed in ternary form.

Courante (about 1’)

In the flow of twelve-eighths, this song develops humorously, having ternary form and additional end part.

Finale (about 2’)

This piece is also written in ternary form, starting with Primo’s rapid triplet and Secondo’s sharp chromatic scale. The breathtaking interaction between two persons makes the real pleasure of duet.

Writer: Sudoh, Eiko

Movements (5)

Prelude

Total Performance Time: 2 min 00 sec 

Explanation 0

Arrangement 0

Passepied

Total Performance Time: 1 min 20 sec 

Explanation 0

Arrangement 0

Romance

Total Performance Time: 2 min 40 sec 

Explanation 0

Arrangement 0

Courante

Total Performance Time: 1 min 10 sec 

Explanation 0

Arrangement 0

Finale

Total Performance Time: 1 min 50 sec 

Explanation 0

Arrangement 0

Sheet Music