It doesn't strike one as a somber Allemande; instead, it conveys a sense of optimism. Including harmonic sequences, the piece modulates to many keys. A key performance tip for this Allemande is to be sensitive to the tonality and to vary the volume and tone quality according to the key.

It begins in A minor, but already modulates to C major on the third beat of measure 6. It then immediately modulates to E minor, concluding the first half.

The second half immediately shifts to D minor, then returns to C major, and finally to A minor, bringing the piece to an end.

Before modulations, sequences, such as those in measures 3-4, may sometimes be inserted. Determine the dynamics of the sequence based on the key that follows it. For example, if you wish to play the C major section in measures 5-6 softly and gently, applying a diminuendo to the sequence in measures 3-4 will allow for a smooth transition into C major.