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Home > Beethoven, Ludwig van > Sonate für Klavier Nr.28 A-Dur

Beethoven, Ludwig van : Sonate für Klavier Nr.28 A-Dur Op.101

Work Overview

Music ID : 435
Composition Year:1816 
Publication Year:1817
First Publisher:Steiner
Dedicated to:Dorothea von Ertmann
Instrumentation:Piano Solo 
Genre:sonata
Total Playing Time:19 min 00 sec
Copyright:Public Domain

Commentary (1)

Author : Okada, Akihiro

Last Updated: November 1, 2008
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

This Sonata No. 28 incorporates a fugue and possesses content that sets it apart from previous piano sonatas, which had a strong fantastical tendency. It was composed from around May to November 1816 and published in February of the following year.

First Movement: Allegretto ma non troppo, A major, 6/8 time, Sonata form

A slow movement with a graceful and noble atmosphere. It begins with the dominant chord of A major, but leisurely wanders without quickly reaching the tonic, thereby intensifying its fantastical impression. The dreamlike melody flows naturally throughout, yet the overall structure is masterfully and elegantly organized.

Second Movement: Vivace alla Marcia, F major, 4/4 time, Ternary form

A powerful movement characterized by a bouncy, march-like rhythm, yet it also possesses delicate aspects. It has elements of both a scherzo and a fantasy, resulting in a unique musical character.

In the middle section, a calm and legato canon emerges, creating a contrast with the main section.

Third Movement: Introduction – Adagio ma non troppo con affetto, A minor, 2/4 time; Main Section – Allegro, A major, 2/4 time, Sonata form

First, the introduction begins with a melancholic and lonely melody played with deep emotion. This deeply expressive, narrative-like melody eventually transforms into a reminiscence of the first theme of the first movement, connected by a trill, leading to the majestic entrance of the main section in A major.

The main section progresses powerfully and resolutely, utilizing octaves and chords. In the development section, it becomes a four-voice fugue based on the first theme, building to a tremendous climax before entering the stretto. Contrapuntal writing is also employed in the coda, and the piece concludes with brilliant chords.

Writer: Okada, Akihiro

Movements (3)

1.Satz Allegretto, ma non troppo

Total Performance Time: 4 min 00 sec 

Explanation 0

Arrangement 0

2.Satz Vivace alla Marcia

Total Performance Time: 5 min 30 sec 

Explanation 0

Arrangement 0

3.Satz Adagio, ma non troppo, con affetto - Allegro

Total Performance Time: 10 min 00 sec 

Explanation 0

Arrangement 0

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