Generally, the Allemande is characterized by a 4/4 time signature, an anacrusis (upbeat) start, binary form, and a "slow" tempo. However, observing this Allemande in E major, it appears to be composed in a manner that suggests a slightly faster tempo rather than a slow dance.

From a personal perspective, there is no strict rule that the Allemande must not exceed a certain tempo; it is sufficient if it contrasts effectively with other movements such as the Courante or Gigue.

Therefore, the tempo of this Allemande can be at the performer's comfortable pace, and it is not advisable for it to become overly ponderous by forcing an excessively slow tempo.

Considerations for Performance

However, the following points must also be considered:

When studying Bach, the issue of tonality is crucial. Bach, to a greater or lesser extent, assigned specific characters to each key. For instance, F major is strong, C major is pure and innocent, B major is somewhat elegant, and so on.

Let us recall the key of E major as used by Bach. If we consider the E major Inventions, Sinfonias, or the E major preludes and fugues from the Well-Tempered Clavier, it does not strike one as a particularly "spicy" key; rather, it feels subdued and refined. Consequently, this Allemande should not be overly vibrant; it is advisable to play it with a soft touch and with articulation that is not sharp (at least in the case of this Allemande). Therefore, the dynamic range should also not be excessively wide.