Haydn's characteristic humor, which often involved teasing or surprising listeners, is not evident in this movement. Nevertheless, its optimistic and energetic qualities are strongly felt.

Throughout the movement, the left hand frequently features arpeggiated chords, known as Alberti bass. As light, staccato notes are written above these, the primary caution for this movement is to maintain tempo and "not slow down."

Although the left hand's arpeggiated chords far outnumber the notes in the right hand, they must never obstruct the right hand. A light and piano performance is desirable, and suppressing the volume is essential.

The repeated eighth notes in the left hand, as seen in measure 14, should also be played staccato.

Measures 18-23 represent the section of highest tension; measure 21 can be considered the peak. Therefore, apply a gradual crescendo from measure 18, reaching its climax at measure 21.

Above all, strive for a lively and energetic performance that remains light and not excessively loud.