This Allemande is characterized by the beauty of its soprano line. It is primarily written in three voices.

• The alto line moves between the soprano and bass; however, when the voices approach each other, it is crucial to ensure that each voice is heard independently. This point should be firmly established from the outset. For example, in measures 9-10, the soprano and alto approach each other quite closely. Avoid playing the alto notes in a way that might lead them to be mistaken for part of the soprano; ensure they are completely independent.
• Another piece of advice is to liken the soprano line to a vocal line. Although this is an instrumental piece, the soprano line in this Allemande progresses very smoothly. By highlighting this line and performing it with beautiful lyricism, the charm of the piece can be brought out. Try extracting and playing only the soprano line once. Doing so will provide a better understanding of which notes are cadential, which are resolutions, and where phrases begin or end, among other aspects.