Performance Tips

This piece is structured in a three-part form consisting of ABA' and a coda. In section A, since the chromatic progression forms the main melody, ensure that the top note of the chords is prominent and not obscured by other notes. Furthermore, as it becomes a very fast passage at "Presto," it is appropriate to perform it with a light and whimsical expression. (The author believes that the chords used here are similar to those in Scriabin's Poème satanique, Op. 36, and can be treated similarly for expression.) Section B, starting from measure 16, contrasts with A and is lyrical, but it contains detailed dynamic indications such as piano to forte, and crescendo to forte to piano within short measures. This is one of the dynamic techniques Scriabin employs in his works, so be sure to execute them precisely. Additionally, from measure 33 to measure 36, the right hand's inner voice repeats the semitone "F→E♭" while the left hand repeats "D→E♭," creating a fragmented effect. This is also a compositional technique frequently used by Scriabin, primarily before the recapitulation. Play with a sense of urgency, following the crescendo indications.

True to the meaning of "Scherzo" (joke), this piece is brimming with Scriabin's playfulness. Try to grasp these characteristic features of his style in your performance.