Interpretation Notes

While this piece allows for various interpretations, let us consider what kind of key G minor, its original tonality, was for Bach.

Bach's Invention in G minor is sometimes performed at a fast tempo with energy, but considering the ornaments in the middle, it is difficult to play it at such a rapid pace. Try playing it quite slowly. Then, the ornaments will fit in naturally. Such a slow performance recreates a completely different world. And the Sinfonia in G minor has a somewhat delicate, fragile aspect to it.

Prelude from Book 1 of the Well-Tempered Clavier, a delicate, sorrowful expression can be observed.

As a result, we hypothesize that this Minuet is not an overly energetic piece, but rather one with a delicate, fine-lined quality.

While approaches to articulation, etc., are flexible, taking the first 8 measures as an example, measures 1-4 and 9-12 could be interpreted as one character, and measures 5-8 and 13-16 as another, allowing for a conversational interpretation.

Considering it in more detail, measures 1 to the first beat of measure 3 could be treated as one phrase, and from the second beat of measure 3 to the end of measure 4 as another, allowing for a differentiation in tone quality between these two.

Eighth notes could be played detached (somewhat dry and short).

Alternatively, measures 1 to the first beat of measure 3 could be played like a violin, but since the second and third beats of measure 2 are the same note (D), these could be shortened, and then measures 3-4 could be played legato again.

Beyond that, consider it in 4-measure units, changing the mood every 4 measures.

Interpret it as the performer feels, but create it as a delicate piece with fine lines.