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Burgmüller, Johann Friedrich Franz : 25 Etudes faciles et progressives, conposées et doigtées expressément pour l'étendue des petites mains Innocence Op.100-5

Work Overview

Music ID : 20806
Instrumentation:Piano Solo 
Genre:etude
Total Playing Time:1 min 00 sec
Copyright:Public Domain
Additional Notes:表記ゆれの例: むじゃき

Commentary (4)

Author : Hara, Akiho

Last Updated: March 12, 2018
[Open]
Translation in Progress
Writer: Hara, Akiho

Author : Sato, Takashi

Last Updated: January 31, 2022
[Open]
Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

The sequential progression of 16th notes gradually lengthens, leading into scales. The slurs attached to two notes in measures 2, 4, and 7, among others, evoke a graceful, Mozartian atmosphere. Ensure that the second note after the slur is not bounced like a staccato. In the latter half, starting from measure 9, the character changes dramatically, taking on the nature of a charming march.

Performance Points (Original Tempo ♩ = 112)

While utilizing the wrist rotation practiced in the first piece, 'Candor,' ensure firm finger striking so that the 16th notes do not slip. In the long descending scale in measure 13, a challenge is presented at the beginning of the third beat on B: 'playing a black key with the 4th finger over the 1st finger,' which often leads to stumbling. Prepare by slightly tilting the wrist from the second beat. Also pay attention to the duration of the left-hand chords, ensuring they are not cut too short. Although a short piece, it presents many challenges, and mastering it will help acquire various techniques.

(To-on Edition 'Burgmüller 25 Etudes' (NS70)From)

Writer: Sato, Takashi

Author : Iida, Arisa

Last Updated: March 15, 2018
[Open]
Translation in Progress
Writer: Iida, Arisa

Author : Ooi, Kazurou

Last Updated: January 31, 2019
[Open]
Translation in Progress
Writer: Ooi, Kazurou

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