This piece is remarkably sparse in notes, which means that while it may seem easy to play, it presents significant musical challenges. A crucial aspect to consider for this piece is the tempo setting. Neither too fast nor too slow feels appropriate. The indication is Allegretto. Learners should consult with their instructors to determine the tempo. If the staccato notes cannot be played sufficiently short, a slightly slower tempo might be advisable. This piece has 16 measures, precisely divided into two halves of 8 measures each. That is, measures 1-8 constitute the first half, and measures 9-16 constitute the second half. The respective peak points are in measures 5 and 13; the music should progress towards these points, and upon reaching them, a gradual diminuendo should be applied. In measures 1-2 and 9-10, the six staccato quarter notes should not be played at the same volume; instead, a gradual crescendo from p should be applied. In measures 5-6 and 13-14, the phrases marked legato should be played smoothly, like string instruments, to contrast with the staccato.

Points to Note for Measures 7-8:

The ritardando should not be applied to the extent that the tempo becomes twice as slow. For the three phrases in the right hand, D-C, D-C, and D-E-C, the C should be played softer and fade away more than the D in each instance. The first beat of measure 16 is the most note-dense beat in the entire piece. While a high note density often leads to increased volume, this section should be played pp. At this point, if the topmost F is clearly articulated, the piece can conclude beautifully.