Yamada, Kōsaku : *in preparation*
Work Overview
Instrumentation:Piano Solo
Genre:variation
Total Playing Time:7 min 00 sec
Copyright:Public Domain
Commentary (3)
Author : Nakatsuji, Maho
Last Updated: March 12, 2018
[Open]
Author : Nakatsuji, Maho
Author : Imazeki, Shiori
Last Updated: April 13, 2018
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Author : Imazeki, Shiori
Author : Sugiura, Nanako
Last Updated: May 22, 2024
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Author : Sugiura, Nanako
Variations in C Major (December 24, 1912 – February 5, 1915)
This work is relatively frequently performed. The theme is a hymn favored by his mother.
The following inscription is found on the cover of the autograph manuscript:
A song beloved by my mother.
A song that my brothers and I
sang together to comfort her on her sickbed.
A song that choked me before her spirit
on the evening she entered eternal sleep.
Now, tracing those memories,
for my mother...
Furthermore, regarding these variations, Yamada wrote [3]: “These variations are not what are conventionally called variations in terms of form. I do not know how they will resonate with everyone, but at least I intended to express the diverse character of my mother through this short hymn excerpt. It goes without saying that their arrangement is based on musical sentiment.” He indicated the following regarding each variation:
- No. 1 represents a quiet, devout, and religious mother.
- No. 2, a light and healthy mother.
- No. 3, a very meticulous and distinct aspect of my mother.
- No. 4 is her maternal love for children. It depicts the heart of a mother watching over the face of an infant being rocked in a cradle.
- No. 5 is an energetic and active part of my mother. I wrote up to this point on December 24, 1912, and simply could not continue. Then, on February 5 of last year, I was able to complete Nos. 6 to 10.
- No. 6 is a melancholic day of my mother.
- No. 7 expresses my mother's character, who was indeed a good conversationalist.
- No. 8 is my mother's playful side, as she frolics with children.
- No. 9 would be my mother's splendid, cheerful countenance.
- No. 10 is nothing but my praise for my mother.
The autograph manuscript exists up to Var. 5, and the natural dynamic markings in the autograph manuscript were adopted. Furthermore, the initial tempo/expression markings for Variations 1 to 5 in the autograph manuscript are written in German, as follows:
- Var. 1: Ruhig (Quietly, calmly)
- Var. 2: leicht (Lightly)
- Var. 3: sehr rhythmisch (Very rhythmically)
- Var. 4: schwankend (Wavering)
- Var. 5: energisch (Energetically, full of spirit)
Additionally, Var. 6, Var. 7, and part of Var. 8 are written in the autograph manuscript but are crossed out with an 'X' mark. The pieces from Var. 6 onwards found in the copyist's manuscript and published editions were not present in the autograph manuscript.
Score Information
- Autograph Manuscript: Ms. 1054 (up to Var. 5)
- Copyist's Manuscript: Ms. 425 (complete work)
- Daiichi Hoki
- Hustle Copy Edition
- Shunjusha New Complete Works