General Approach

Although this piece depicts war in a highly optimistic manner, the challenge lies in how smoothly one can transition from one section to the next. While the situation of each section is clearly indicated in the score and easily understood, to complete it as a single piece, it is crucial to make it sound like a cohesive story rather than a collection of fragments.

Measures 1-16 (Maestoso)

Measures 1-16 are marked Maestoso, but they are in 2/4 time. If this section is played too slowly, it loses its vitality. Play it with pride and grandeur, as if capable generals are discussing strategy (avoid being withdrawn).

Measures 20-27 (Battle)

After the three cannon shots, the battle begins at measure 20 (measures 20-27). As a personal preference, I believe this section can be played without pedal at the beginning (up to around measure 26). The dynamic level should aim for a peak at measure 22 and then decrease at measure 24. From measure 24, it builds towards another peak, but since the next section is about to begin, the latter half should be softer than the first.

Measure 27 (Transition)

At measure 27, the left-hand octaves are broken; this measure serves as preparation for the next section. Decrease the tempo and dynamics, and enter the next section smoothly. At this point, if the speed of the left-hand eighth notes matches the speed of the eighth notes in the 6/8 time signature of the next section, it will sound smooth. Pay attention to balance and play expressively until measure 39.

Measures 40-72 (Atmosphere Change and Cadenza)

From measure 40, subtly change the atmosphere, further changing it at measure 44, and smoothly enter the next section at measure 50. While the tempo of this section is likely quite fast, the cadenza from measures 67-72 appears suddenly without any tempo markings. If I were the performer, I would significantly slow down the tempo. Although my score does not indicate any tempo changes, this is a horn signal. It should not be played too fast.

Measures 73-End (Cantabile and Adagio)

The next section begins at measure 73, and I believe its tempo can be roughly the same as that of measure 28. Play cantabile, paying attention to balance, and express a fleeting moment of joy. Finally, the Adagio from measure 89 is marked as sadness for fallen soldiers. Although in a major key, it is by no means joyful music. It can be interpreted as the feeling of burying the dead, or as memories of the deceased's life. Infuse it with the performer's emotions.