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Górecki, Henryk Mikoraj 1933 - 2010

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  • Author: PWM Edition

  • Last updated:September 20, 2022
  • Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

    Henryk Mikołaj Górecki (1933 Czernica, Poland – 2010 Katowice, Poland)

    Early Life and Career

    Henryk Mikołaj Górecki was a distinguished Polish composer and educator. He was born in 1933 in Czernica, Silesia. In 1952, he began his musical studies at the Secondary Music School in Rybnik. From 1955 to 1960, he studied composition with Bolesław Szabelski at the State Higher School of Music in Katowice. While still a student, in 1958, a concert featuring his works was held at the Katowice Philharmonic, an unprecedented event as it consisted solely of compositions by a single student. In the same year, his Epitaph (Op. 12) was featured at the 2nd International Festival of Contemporary Music 'Warsaw Autumn'. Following this festival, Górecki came to be known as Poland's most radical avant-garde composer. His early works were frequently performed in cities such as Paris and Cologne, providing him with opportunities to meet Boulez and Stockhausen.

    Academic Career

    From 1965, Górecki taught at the State Higher School of Music in Katowice, instructing in score reading, composition, and instrumentation, and in 1975, he was appointed Rector of the institution. The works composed during this period received numerous awards from the UNESCO International Rostrum of Composers in Paris.

    Evolution of Musical Style and Symphony No. 3

    Henryk Mikołaj Górecki's musical style evolved over time. He first gained recognition as a radical avant-garde artist with his work Scontri, which received widespread performance. Subsequently, with his Symphony No. 3, 'Symphony of Sorrowful Songs', composed in 1976, he completely turned away from extreme avant-garde techniques, significantly curtailed his expressive means, and returned to a neoclassical style. Although this work was little known upon its initial release, a new recording (Album: Composed by Henryk Górecki / Vocals: Dawn Upshaw / Orchestra: London Sinfonietta / Conductor: David Zinman / Symphony No. 3 / Label: Elektra Nonesuch) was released, topping the most influential classical music charts in the UK and USA in 1992, which rapidly brought Górecki worldwide fame.

    Symphony No. 4 and Posthumous Premiere

    In 2014, Górecki's Symphony No. 4, 'Tansman Episodes', was premiered by the London Philharmonic Orchestra. This performance took place four years after the composer's death (Górecki passed away in Katowice in 2010). Although theoretically completed by 2006, Górecki's deteriorating health left the orchestration unfinished. The work was completed by his son, also a composer, Mikołaj Górecki.

    Recognition and Legacy

    Henryk Mikołaj Górecki is one of the most distinguished composers of sacred music in Poland. His works have received dozens of awards in Poland and worldwide, and in recognition of his creative output, he was awarded numerous state decorations and many honorary degrees from music academies and Catholic universities in Europe and America. Throughout his life, Górecki left behind a vast body of work, primarily focusing on piano pieces, chamber music, choral works (both secular and sacred), vocal works for various ensembles, and symphonies.

    Author: PWM Edition
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    Author : Saitoh, Noriko

    Last Updated: August 1, 2008
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    Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

    Polish composer. Initially, he developed a unique style incorporating pointillism, serial music, and aleatoric elements, but later became interested in Polish medieval music and also composed sacred works. He studied composition at the Katowice Academy of Music. His Symphony No. 2 is titled 'Copernicus'.

    Writer: Saitoh, Noriko

    Works(4)

    Concerto (1)

    concerto (2)

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    Piano Solo (2)

    sonata (1)

    Sonate fortepiano Op.6

    Playing time: 12 min 30 sec 

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    prelude (1)

    4 Preludia Op.1

    Composed in: 1955  Playing time: 7 min 20 sec 

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