The entire work is unified in 5/4 time, specifically with a 3+2 subdivision. There are no instances of a 2+3 subdivision. The title of the work was derived from the composer's own chant-like singing during the creation of the opening melody: "In 5/4, in 5/4, walk, walk." Tempo changes should be interpreted with flexibility, aiming for a performance that is both stylish and structurally cohesive. The work premiered at a small concert on November 26, 2016.