Allegretto, 2/4 time. This piece is characterized by its accents. As the title suggests, it would be good to enjoy playing with a playful and amusing sound and atmosphere. The rhythm on the second beat of the second measure is very distinctive and is a key point of this piece. As indicated by piu f, play more strongly and clearly than before. From the anacrusis of the fifth measure, the sound becomes brighter, reminiscent of D major. At the ninth measure, the opening melody returns, and from the second beat of the twelfth measure, the music takes on a different rhythm. Note that the ascending figures in measures 14-19 are marked decrescendo. From measure 21, the melody returns with a modulation, and from measure 26, it returns with the opening melody as before. It would be good to play while paying attention to the balance between the melody and the inner voices.