This work seems to depict a vivid experience in Moscow, where the composer stopped on the way back from studying in Berlin, along with descriptions of night scenes.

While the emotion of hearing Scriabin's music for the first time is passionately expressed, the transparency of the clear air of a freezing Moscow night quietly resonates, creating a highly captivating contrast between stillness and movement. The way sounds blend within the pedal holds various possibilities, allowing performers to create their preferred soundscapes by adjusting the pedal and depth of touch. Regarding the sections marked appassionato, con fuoco, and espress., I would like to play them passionately, fully empathizing with Yamada and pouring my emotions into them.