Since a figured bass is provided, the notes are to be realized accordingly. The compositional style is more akin to a fugue than an air. The theme (subject) spans measures 1-9; the fermata on the first beat of measure 9 indicates the intended termination point upon a dal segno return (the composer's score lacks an explicit marking for this conclusion). This theme exists in two forms: a descending form and an ascending form.

Firstly, the descending form, found in measures 1-9, begins on F and concludes on F an octave lower. Therefore, a gradual diminuendo from measure 1 is appropriate. The theme on the third beat of measure 9 is also of this descending nature.

The sequence beginning at measure 35 starts to ascend, and the theme beginning at measure 43 is in its ascending form. The alteration from E to E-flat within this theme is also a factor that further heightens the tension. This section may represent the climactic point.

It is advisable to interpret this piece as an elegant and witty dialogue between two individuals.