First, as this piece is intended to be played at a minuet tempo, please allow for some leeway and avoid setting the tempo too fast. While a faster tempo might indeed feel easier to play, it is important not to forget that it is a minuet.

This second movement features numerous repetitions, often in one-bar or two-bar units. For instance, there are many repetitions such as measures 5 and 6, or measures 9-10 and 11-12. It is evident that these identical passages should not be played in the same manner; therefore, variations in dynamics and tone quality should be applied.

The Minuet section is strictly two-voiced, with no exceptions. However, there is no concern that the voices might become indistinguishable from each other. The Trio section exhibits ensemble elements reminiscent of a string quartet. While attention should still be paid to repetitions, the tension rises considerably higher than in the Minuet. Similar to repetitions, sequences should also be approached with awareness, providing a sense of direction towards peak points.