Performance Notes

Haydn's compositions can be categorized into several types. Excluding works written in minor keys, if we divide his optimistic pieces into two categories—those that are simply cheerful and those that incorporate Haydn's unique sense of mischief and humor—this first movement clearly falls into the latter category.

There is nothing more uninteresting than playing a piece filled with elements of humor and playfulness in a serious manner. Please play it with a full sense of playfulness. So, how should one actually do this? Emphasize sections that defy the listener's expected progression, parts that can be likened to laughter, and those that clearly resemble a humorous conversation.

For example, for an audience familiar with harmonic progressions, the E in measure 25, which should ideally be E-flat, is written as a natural, creating a moment of surprise.

Measures 31, 33, and 35 are sections where the same idea is repeated persistently, as if someone is nagging. Between measures 36 and 37, the B and the A, which leaps by a seventh, create a momentary illusion of losing tonality.

Measures 45-46 are by no means a “beautiful” section. Since this is a section where a witty joke is being told, playing the ornaments almost simultaneously with the main notes allows for the creation of minor and major second clashes, expressing the humor.

These sections employ highly unconventional writing. Instead of playing them as if nothing is amiss, try to express their inherent humor.

The development section features many harmonic sequences. This “pleasant persistence” is also part of Haydn's charm. Ensure that the sequences do not become monotonous; use dynamics to add variety.