This movement has a very optimistic character and a very joyful atmosphere. Although marked Presto, there are many small note values, so set a tempo that is not too fast.

From the opening 7 measures, measures 2-3 and 4-5 are written in a sequential manner, with measure 7 marking the end of the opening phrase, a compositional technique unique to Haydn.

Similarly, two sequential repetitions can be observed, such as measures 8-9 and 10-11, or measures 12-13 and 14-15, where identical phrase repetitions are also present.

Furthermore, many harmonic sequences, such as those in measures 16-22, are observed. Performers should attempt to introduce some variation in dynamics or timbre for these similar or identical phrases.

Although there is a modulation to A minor midway, the mood is by no means serious. A clear contrast can be achieved by playing the A minor section piano and the final A major section with a bright forte.