(Fourth Movement) B-flat major, 2/4 time, Rondo

The light and agile rondo theme constantly maintains the dominant (F) in the inner voice. After a transitional passage of arpeggios, a syncopated theme in octaves appears in B-flat major (m. 25~). Following a transitional idea of arpeggios, a motif from the rondo theme is repeated, and the rondo theme returns (m. 50~).

The section that follows, which in rondo form typically introduces a new theme, is here dedicated to the development and elaboration of the material (m. 68~). Even in the recapitulation of the rondo theme (m. 120~), considerable variation techniques are incorporated, and after the recapitulation of the dominant theme, the rondo theme appears once more, concluding the movement with a coda that further develops the motifs.