Quasi allegretto, F minor, 3/4 time. This piece also features an improvisatory, 10-bar introduction. The main section, marked with the unusual tempo indication "Quasi allegretto," begins with a melody consisting of continuous triplets in both hands. Subsequently, this melody undergoes a type of variation, transforming into sextuplets, septuplets, and nonuplets, creating a floating, fantastical sense of rhythm. It ultimately evolves into a highly pianistic and virtuosic sixteenth-note chromatic melody. Similar to the first piece, numerous modulations occur, but the key signature remains unchanged, with all alterations indicated by accidentals. The piece concludes with a Picardy third, ending on an F major tonic chord.