No. 10 <In Praise of Scales> in F major, 4/4 time

This piece, as its title suggests, makes extensive use of scales. It is primarily structured with three voices, all of which incorporate scales. However, the points of note change within these scales vary among the voices. Consequently, one can appreciate the intriguing sonorities generated by the scales thus combined. Midway through, there is a brief section in 2/4 time.